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Photography Cheat Sheet

Quick reference for camera settings

Aperture

Controls depth of field and light intake

f/1.4-2.8: Portraits, low lightf/4-5.6: General photographyf/8-11: Landscapes, groupsf/16+: Maximum sharpness

What is Aperture?

Aperture is the opening in your lens that lets light through. It's measured in f-stops (f/1.4, f/2.8, f/5.6, etc.).

Understanding f-stops

Lower f-number = wider opening = more light + blurry background. Higher f-number = narrower opening = less light + sharp background.

Depth of Field

Wide aperture (f/1.8) creates a shallow depth of field - perfect for portraits with blurry backgrounds. Narrow aperture (f/11+) keeps everything in focus - great for landscapes.

Shutter Speed

Controls motion blur and exposure time

1/1000+: Fast action, sports1/250-1/500: Moving subjects1/60-1/125: Handheld general1/30 or slower: Use a tripod!

What is Shutter Speed?

Shutter speed is how long your camera's sensor is exposed to light. Measured in fractions of a second (1/500, 1/60) or full seconds.

Freezing Motion

Fast shutter speeds (1/500+) freeze action. Perfect for sports, wildlife, or kids running around.

Motion Blur

Slow shutter speeds (1/30 or slower) create motion blur. Great for waterfalls, light trails, or showing movement.

ISO

Controls sensor sensitivity to light

ISO 100-200: Bright daylightISO 400-800: Cloudy or shadeISO 1600-3200: Indoor, eveningISO 6400+: Low light, night

What is ISO?

ISO measures your camera sensor's sensitivity to light. Higher ISO = brighter image but more grain/noise.

The Noise Trade-off

Low ISO (100-400) gives clean, noise-free images. High ISO (1600+) adds grain but lets you shoot in darker conditions.

When to Adjust

Start with the lowest ISO possible. Only increase when you need faster shutter speed or can't open aperture wider.

Exposure Triangle

How aperture, shutter, and ISO work together

Bright sun: f/8, 1/250, ISO 100Cloudy: f/5.6, 1/125, ISO 400Indoor: f/2.8, 1/60, ISO 1600Night: f/1.8, 1/30, ISO 3200+

The Balance

These three settings work together to create proper exposure. Change one, and you'll need to adjust another to compensate.

Creative Decisions

Choose your priority: want blur-free action? Fast shutter. Dreamy background? Wide aperture. Then adjust the others to match.

The Math

Each full stop doubles or halves the light. Opening aperture one stop = using shutter twice as fast = halving ISO.

Composition Rules

Arranging elements for visual impact

Don't center everythingLook for natural framesUse foreground interestLeave space for movement

Rule of Thirds

Imagine your frame divided into 9 equal parts. Place your subject along these lines or at their intersections for more dynamic shots.

Leading Lines

Use natural lines (roads, fences, rivers) to guide the viewer's eye toward your subject. Creates depth and draws attention.

Framing

Use doorways, windows, or natural elements to frame your subject. Adds depth and focuses attention on your main subject.

Lighting Tips

Working with natural and artificial light

Shoot during golden hourClouds are a giant softboxFind open shade at noonFace subjects toward light

Golden Hour

The hour after sunrise and before sunset offers warm, soft, directional light. The most flattering for portraits and landscapes.

Harsh vs Soft Light

Midday sun = harsh shadows. Cloudy days = soft, even light. Move to shade or wait for clouds when the light is too harsh.

Direction Matters

Front light: flat but safe. Side light: dramatic shadows. Backlight: silhouettes or rim lighting. Experiment!

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